Natalia Lassalle-Morillo’s practice develops across localities and narratives, merging theatrical performance, experimental film, and participatory research. Bringing theater-based methodologies into the camera, she rehearses an alternative historiography that revises collective relationships to the past and simultaneously foregrounds the creation of new mythologies and fictions. In En Parábola/Conversations on Tragedy, Natalia reassembles the Greek myth Antigone in collaboration with a cast of non-professional actors who reside in Puerto Rico and in New York City’s Puerto Rican diasporic community. Developed through a multi-year process of collaborative theatrical rehearsal and experimental filmmaking, the work emerged through the cast’s revising, re-writing, and performing of the myth of Antigone inspired by their lived and inherited experiences of migration and belonging.

Taking the form of a multichannel film installation and a live performance series, En Parábola seeks to connect these communities after decades of geographical fragmentation, colonial erasure, dispossession, and cumulative environmental, economic, and political tragedies. This exhibition presents the first chapter of En Parábola, a multichannel film that chronicles the New York City–based cast’s reimagining of the myth of Antigone from their own perspectives. Commissioned after an Artist Research Residency at Amant in 2022, the film weaves together fictional and non-fictional narratives, layering documentation of the rehearsal process with behind-the-scenes footage and staged reenactments co-authored and performed by the cast.