Film Blackness
Michael B. Gillespie
Ephraim Asili
Géza, 306 Maujer
Centering his new three-channel film Song for My Mother (2023), artist Ephraim Asili joins film theorist Michael B. Gillespie for a conversation on and around the elusive concept of “Black Film”.
In an extension of the explorations outlined in Michael’s seminal text Film Blackness: American Cinema and the Idea of Black Film (2016), they consider how notions of embodiment, materiality, visibility, and viewership manifest throughout Ephraim’s filmmaking practice, and in relation to the book’s central thesis: “that the idea of black film is always a question, never an answer.”